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a place where people have lived continuously for thousands
of years Bodrum has an incredibly rich past. Its position
in or near so many of the great civilization and events of
ancient history also makes Halicarnassus (Bodrum's ancient
name) an important site for historians. Finding one source
of complete historical information on Bodrum is apparently
impossible, so the account that follows is a distillation
from several sources.
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Herodotus, the
"Father of History", was born in Halicarnassus...
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The first settlement in this area which
left structural evidence behind was on the rocky
little
island where the Castle
of St. Peter now stands (the castle was once completely
surrounded by water). When the Knights of St. John
arrived to build their fortress, they found the ruins
of an older castle, now known to have been built by
the Dorians around 1100 BC.
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Herodotus, the "Father of History", who lived
in the Fifth Century BC and was born in Halicarnassus, wrote
that the Dorians came from Troezen on the east coast of the
Peloponnese. They called their new island Zephyria and the
settlement Zephyrium.
Historians have little evidence concerning the
foundation of mainland Halicarnassus. The first known mention
of it comes form the Seventh Century BC. Halicarnassus was
one of six members in the Dorian Confederation of Hexapolis,
along with the mainland city of Cnidos, the island of Cos,
and three cities on Rhodes.
Establishing these cities was no easy task, as
the Dorians were not the first people to inhabit the area.
They had to fend off the continuous attacks of fierce natives
known as Carians. Homer mentioned the Carians in his Iliad,
calling them "barbarous of speech," (as coincidence linguists
note that the dialect of the region Bodrum is now part of
has the harshest dialect in the West of Turkey). Early historians
credit the Carians with having taught the Greeks the use of
crests on helmets and handles on shields, which were previously
slung over the shoulder.
ne
small alliance between the Dorians and the Carians came about
when a Greek opened a tavern around the spring at Salmacis
(now submerged in the western end of Bodrum harbor, in present
day Bardakci). Both Dorians and Carians became regular patrons,
and the Carians eventually adopted a more orderly way of life
from the colonists. Trade relations were established, and
for a while the two races coexisted in peace.
The waters of the Salmacis fountain were said
to have relaxing properties. Rumor hat it that the water,
though excellent to drink, had the effect of making men soft
and effeminate, sometimes even impotent. These claims resulted
in the legend of Hermaphrodite.
The teenaged son of Aphrodite, the Goddess of
Beauty, was said to have spent a day swimming in a lake formed
by the fountain. Salmacis, the nymph of the lake, fell in
love with him and begged the gods to allow them to live together
in a single body. They granted her wish, creating the half-man
half-woman figure of Hermaphrodite.
Herodotus wrote that Halicarnassus became increasingly
aligned with a group of inland inhabitants, the Ionians. This
upset the other members of Hexapolis, and the misconduct of
a Halicarnassian is considered a pretext for the city's expulsion
from the league. All six cities competed in games celebrated
annually at Tropium in honor of Apollo. A. Halicarnassian
named Agasides won a bronze trophy one year and refused to
follow the custom of dedicating it on the spot to Apollo.
He instead hung it on the wall of his house, inciting the
wrath of the other Dorian cities and giving them an excuse
to cut off ties with Halicarnassus.
By the Fifth Century BC Halicarnassus appeared
purely Ionian in character. Both Herodotus and his uncle Panyasis
the epic poet, wrote in Ionian, and no inscriptions from this
period show any trace of the Doric dialect.
In 546 BC the Persians overran the Greek cities
of the coast, and Halicarnassus fell with the rest. A series
of dynasties then ruled in the Persians' interest, the most
famous of these, that of Artemisia I, began in 480 BC.
Herodotus gave this remarkable woman a lot of
space in his writings. Of her unnecessary enlistment in the
fighting ranks of Xerxes navy when he was invading Greece,
he wrote, "..... her manly daring sent her forth to the war
........(her) participation in the attack upon Greece, notwithstanding
that she was a woman, moves my special wonder." She commandeered
a battleship with such prowess that Xerxes was said to have
remarked, "My men have shown themselves women and my women,
men."
Artemisia's son Psyndalis succeeded her as ruler
of Halicarnassus (as well as Cos and several other islands).
While historians have little to say about the reign of Psyndalis,
his son, Lydamis II, is remembered as a cruel and oppressive
ruler. Herodotus left his homeland for the island of Samos,
unable to tolerate the whims of this tyrant. In 1856 the archaeologist
Sir Charles Newton found an inscription of a law enforced
by Lydamis II which details his total intolerance of opposing
political views.
We do not know who succeeded Lydamis II or why
the tyrant fell, but great changes are known to have occurred
by the Fourth Century BC. Sometime during the previous century
the harness of Persian control was thrown off, but soon the
"King's Peace" treaty between Athens and Persia again put
the cities of Asia under Persian control. Persia divided the
region into 'satrapes' and by 377 BC King Mausolus ruled as
Satrap or Governor of Caria and Halicarnassus.
ntil
Mausolus' rule Halicarnassus was a fairly small city but Mausolus
had a flair for ambitious projects and he recognized the area's
natural advantages for fortification and commerce. He transferred
his capital there from Mylasa (site of present-day Milas)
and built long lines of massive walls around Halicarnassus,
parts of which still stand today. To populate the large new
area he forcibly transplanted the residents of six other nearby
cities. Mausolus taxed his subjects heavily to pay for these
and other grand scale projects, and even imposed a levy on
hair longer than shoulder length. One of his projects stands
as the only surviving structure from Classical Age Bodrum,
the Antique Theater.
Located on the southern slope of Mt. Goktepe just above the
middle of Bodrum, this theater is one of the oldest in Anatolia.
A Turkish team restored it in the 1960's and today the people
of Bodrum still use the theater for festivals.
The visitor will find the theater a comfortable
place to sit and contemplate Bodrum while watching boats
leave
and enter the harbor. Interesting features of the theater
include a stone altar once used before plays for sacrifices
to Dionyus, and several holes cut through some of the seats,
probably used for sun shades. Allowing 40 cm of space per
person, the theater could seat 13.000. A short climb further
up Goktepe brings one to several rock-cut tombs. Dating from
the Roman and Hellenistic period, these excavated tombs once
carried several sarcophagi, as well as mementos buried with
the dead (some which are on display in
the Castle Museum).
One type of memento found in several graves were
small 'tearcups'. These thimble-sized cups were to collect
tears from mourners, then left in the tomb at burial. The
more cups a person had, the more popular he was. Mausolus
died in 353 BC, succeeded by his wife-sister, Artemisia II.
She ruled for only three years, but she managed
to accomplish two memorable feats. The first was to continue
construction of one of the Seven Wonders of the Ancient World,
the Tomb of King Mausolus (from which we derived our word
'mausoleum'). The second was a brilliant battle success rivaling
that of Artemisia I.
Pliny and other ancient writers agreed that the
mausoleum was a true wonder to behold. Easily visible from
a good distance at sea, it stood about as high as a 20-story
building. Visitors to the mausoleum site today will have to
use their imagination to recreate its splendor. Although it
stood intact for at least 1500 years, an earthquake finally
reduced it to ruins. Then the Knights of St. John arrived
and used the remains to construct parts of their castle.
The
generally agreed upon appearance of the mausoleum has it as
oblong shaped and comprised of four parts; first, a solid
base, then above this a colonnade of 36 columns, then a pyramid
with 24 steps on top of which rested an immense chariot occupied
by statues of Mausolus and Artemisia and drawn by four horses.
All four sides were full of sculptured friezes by the finest
artists of the day, and it was mostly the abundance and magnificence
of these works which made the mausoleum such a spectacular
sight. Fragments of them were shipped to the British Museum
in the Castle's Museum, but otherwise little more than a few
blocks and column bases remain (many of which are visible
in the Castle's walls).
Artemisia's second memorable feat was the capture
of Rhodes. The Rhodians considered dealing with a woman Carian
ruler an indignity (as well as, perhaps, an opportunity),
so they sent a fleet out to overthrow her. Artemisia received
word of this plan and hid her own forces in a secret harbor
near the main harbor. When the Rhodians landed and went ashore,
Artemisia had her own men sail the Rhodian ships back out
to sea. The Rhodian soldiers were surrounded and slaughtered
in the marketplace while the Carians used their ships to sail
to Rhodes. The Rhodians, thinking their men were returning
victorious, welcomed the enemy soldiers and soon their city
fell into Carian hands. Artemisia was followed by a series
of less than noteworthy successors.
lexander
the Great began plundering Anatolia with remarkable speed
and by the time he reached Halicarnassus in 334 BC the Queen
Orontabatis, Satrap of Caria, was ready for him. This city
was the last chance for the Persians to make a stand against
Alexander in the Aegean area, so Orontabatis had assembled
a large Persian force, bolstered by Greek mercenaries. Historians
Diodius and Arrian note that both sides fought fiercely, with
the Halicarnassians putting up an obstinate resistance much
resented by Alexander. His forces finally penetrated the city's
walls and he ordered it sacked and burned (though he spared
the inhabitants) as punishment for such bothersome resistance.
The imported citizens of the six inland cities
were sent back to their original homes, while Orontabatis
and her Persian partner, Memnon, held on in castles at Salmacis
and Zephysia on the east and west ends of the main harbor.
They maintained these positions for about a year, with the
remainder of their navy occupying Cos. When they fell Alexander
restored power to Ada, a former Satrap who had previously
been overthrown.
Halicarnassus never regained its stature after
Alexander's conquest. The history becomes less detailed for
a while, but we know that in the Third Century BC it came
under control of Ptolemy II of Egypt, who had warships built
there. When Rome conquered it in 190 BC Halicarnassus became
a free city. This independence lasted until 129 BC when Rome
included Caria in its reorganization of Asia.
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By 400 AD, with the fall of Rome and the
rise of Christianity, Halicarnassus had developed into
a Diocese connected to the Archbishopric of Aphrodisias.
Meanwhile the Byzantine Empire prospered with its capital,
Constantinople, located where Istanbul now stands. This
sprawling empire soon included North Africa, Italy and
Spain, but the days of global prominence were over for
the Bodrum area. Historians make little note of it again
until the 11th Century, when the Turks took over the
region. The Byzantines captured it during the first
Crusade in 1096, but the Turks retook it three years
later.
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In 1523 the 'greatest
of all the Sultans', Suleyman the Magnificent, expelled
the Knights from Bodrum
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owards
the end of the 13th Century the region known as Caria became
the Province of Menteshe and was annexed to the Ottoman Empire
by Sultan Beyazit in 1392. Meanwhile the Knights of St. John
had their castle at Symira (present-day Izmir) destroyed by
the Mongol leader Tamerlane in 1402 and demanded land from
Turkish Sultan Mehmet Celebi as compensation. They were given
Halicarnassus, built a new castle there, and controlled the
town (which they called Mesy) for over a Century.
In
1523 the 'greatest of all the Sultans', Suleyman the Magnificent,
expelled the Knights. The Ottoman Empire flourished during
Suleyman's 40 year reign but a long period of internal crisis
and decline followed.
Bodrum itself suffered a shelling by the Russian
Navy in 1770 and it was used as a Turkish Naval Base during
the Greek revolt of 1824. During the First World War the French
battleship "Duplex" fired on Bodrum and tried to make a landing,
but the feisty inhabitants prevented this. The Ottoman Empire
lost the Bodrum area to Italy, however, and Italian forces
occupied the town in 1919. The imminent success of the Turkish
war of independence drove the Italians out by 1922 and Bodrum finally became what its beautiful surroundings seem meant
for, a place to relax and enjoy life.
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